Tiger, an aggressive young man, can do just about anything for his best friend Vishnu. When Vishnu falls in love with Ganga, the lives of the lovers are in danger. Will Tiger be able to save them? Click here for more Hindi Dubbed Movies.
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Directed and written by: Mark O’Rowe
Starring by: Cillian Murphy, Eva Birthistle, Catherine Walker
Genres: Drama, Romance
Two couples (played by Andrew Scott, Cillian Murphy, Eva Birthistle and Catherine Walker) appear to live in marital bliss until cracks begin to appear in both seemingly steady marriages. The film asks the question ‘How well do any of us really know each other’ and explores the ideas of love, lust, and family relationships. Click here for more Hollywood Movies.
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Directed by: Karan Butani
Starring by: Jimmy Sheirgill, Jackie Shroff, Kay Kay Menon
Genres: Comedy, Crime, Drama, Romance
Set in the wild wild east, the story of Phamous invites you on an odyssey that hits your heart and face at the same time. Find love, power and wisdom amidst guns and dhakkad’s. In a clash of ambition, love and hope, this story shows the rise of the unique duo of Kadak Singh and Ram Vijay Tripathi against the patriarch Shambhu all tied up in a saga by an innocent boy. Politics and Power come against Love and Revenge exposing the hollow darkness of human nature. How the most powerful people fall for the clumsiest human emotions and are willing to tear down the world around them, making it very difficult for loyalty, love and hope to exist. Will it survive? Starring Kay Kay, Pankaj Tripathi, Jackie Shroff and Jimmy Sheirgill along with Shriya Saran, the characters welcome you to the land of bandook for the war, is on. Click here for more Bollywood Movies.
Jamba Lakidi Pamba Storyline:
This is the story of a man and woman who were joined together by destiny and how they were thrown into the brink of divorce due some unexpected twists and turns. The film will be a complete entertainer with lots of drama, comedy and some elements of fantasy.
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Jamba Lakidi Pamba Review:
The performances of the actors in the film are okay. The film is filled with A-list comedians and everyone does justice to their roles. Vennala Kishore is hilarious as the divorce lawyer. As usual, his one-liners and punch dialogues work well whenever he is on screen.
Srinivasa Reddy does the female act well and creates some comedy in the second half. Posani’s role is quite crucial and he brings some depth to the film. Jabardasth Appa Rao is decent in his role during the last ten minutes and so was Satyam Rajesh as his boss. The interval bang is interesting and sets up things quite well for the second half.
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Directed and written by: Rachel Israel
Starring by: Jessica Walter, Christina Brucato, Tibor Feldman
Genres: Comedy, Romance
When aspiring filmmaker David (Brandon Polansky) is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn’t belong there. But when he’s assigned to visit the Brooklyn Bridge with the vivacious Sarah (Samantha Elisofon), sparks fly and his convictions are tested. Their budding relationship must weather Sarah’s romantic past, David’s judgmental mother (Jessica Walter), and their own pre-conceptions of what love is supposed to look like. Under the guise of an off-kilter New York romantic comedy, Keep the Change does something quite radical in offering a refreshingly honest portrait of a community seldom depicted on the big screen. Rarely has a romcom felt so deep and poignant. Thoroughly charming and quite funny, the film’s warmth and candor brings growth and transformation to the characters, and ultimately, to us.
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“Dwaraka” gets to the plot very quickly by introducing Srinivas (Vijay Deverakonda) as a small-time thief who cons people along with this two friends. One day, while trying to escape from a failed robbery attempt, Vijay takes refuge in an apartment complex named Dwaraka. Prudhviraj, who plays a pujari, conveniently proclaims Vijay to be Swami Krishnanand for his own benefit.
A series of lucky coincidences result in the Swami becoming famous for his problem-solving abilities. Seeing his fame, Prudhvi along with Prabhakar & others set up a trust in the Swami’s name to swindle the donations.
Oblivious to this, Vijay is enjoying his Swami avatar as it gives him a chance to interact with Vasudha(Pooja Jhaveri) with whom he is hopelessly in love with. In parallel, we have Ramakrishna (Murali Sharma), a rationalist, who has exposed fake Godmen and his latest target is Swami Krishnanand.
“Dwaraka” rides on the popularity of Vijay Deverakonda and he certainly lives up to the expectations. He shines in his role as the small time thief turned fake Swami turned social do-gooder while playing a loverboy. He stands out during the comic scenes and is supported by the rest of the cast.
Prudhvi has a well-defined and lengthy role to which he does complete justice. His dialogues and comic timing are perfect in his role as the smooth-talking pujari. Prabhakar, Murali Sharma, Raghu Babu and Prakash Raj throw in their weight to ensure their characters stand out. Pooja Jhaveri is adequate.
The strength of the film is its comic sequences that are clean and smartly written without having to depend on double-meaning dialogues.
Chennai Chinnodu is a Telugu movie released on 27 Apr, 2018. The movie is directed by M. Rajesh and featured Anandhi, G. V. Prakash Kumar, Nikki Galrani and prakash raj as lead characters. Other popular actors who were roped in for Chennai Chinnodu are Mottai Rajendran, Robo Shankar and Jiiva.
Chennai Chinnodu Storyline:
Kumar makes a trip to Pondicherry from Chennai for his bachelor’s party along with his friend, Balaji in his fiancée Priya’s car. Having just come off a break-up with Nancy, he tries his best to stay out of contact with her as well but in vain. However, things do not go according to plan on the trip back from Pondicherry.
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Chennai Chinnodu Review:
GV Prakash has given a decent performance as a reckless and easy going guy. Heroines Nikki Galrani and Anandhi are decent in their given roles. The romantic love track between GV Prakash and Anandhi is good and has a few youthful moments.
RJ Balaji is impressive in his role as hero’s best friend and evokes good laughs throughout the film. Prakash Raj is okay as a silly cop. A five minute funny episode which comes in the first half is hilarious.
Chennai Chinnodu is a below par romantic drama which fails to impress the audience. Though the first half of the film has a good love track and some fun moments here and there, unwanted deviations and silly narration in the latter half disappoints the audience big time.
Grand Masti (English: Grand Fun) also referred to as Masti 2 is a Bollywood sex-comedy film directed by Indra Kumar and produced by Ashok Thakeria. The film is a sequel to the 2004 film Masti, and the second installment of Masti film series. It features Riteish Deshmukh, Vivek Oberoi and Aftab Shivdasani reprising their roles from the original, yet the film does not continue and is a new installment. The film also stars Bruna Abdullah, Karishma Tanna, Sonalee Kulkarni, Kainaat Arora, Maryam Zakaria and Manjari Fadnis. Grand Masti released on 13 September 2013.
Three friends – Meet (Vivek Oberoi), Prem (Aftab Shivdasani) and Amar (Ritesh Deshmukh) – are all unhappily married and have unsatisfactory sex lives. Meet thinks that his wife Unatti (Karishma Tanna) is having an affair with her boss; Prem thinks that his wife Tulsi (Manjari Fadnis) doesn’t spend quality time with him and Amar feels that his wife Mamta (Sonalee Kulkarni) is more concerned about their son, Pappu.
One day, the men receive an invite from their college, SLUTS (Sri Lalchand University of Technology and Science), to attend their college reunion. Their wives don’t come with them, so the three decide to use the trip to get up to mischief in order to escape their unhappy marriages.
Choodalani Vundi Storyline:
Ramakrishna (Chiranjeevi) is a mechanic whose life changes when he meets Priya (Anjala Zaveri) at a train station. She sees him and feels some inexplicable connection, and runs away with him to flee her father Mahendra’s (Prakash Raj) goons. They end up living in the forest with their son, but Mahendra, who is an underworld don, kidnaps her so he can marry her off to another don’s son.
Rani Padmavati (aka Padmini) is said to be one of the most beautiful women to ever exist. This real life story is epitome of Love and sacrifice between Rajput Queen Padmavati and Rana Rawal Ratan Singh, the Rajput ruler of Mewar. Their perfect life took unfortunate turn when Allauddin Khilji’s lustful eyes gazed upon Queen Padmavati. Alauddin Khilji is known as one of the most brutal rulers of the Khilji dynasty, who ascended the throne by killing his father-in-law, his brother-in-laws and their uncles.
We can’t get away from this, the question for us while watching this fresh version of the oldest tale in the book – ‘ek tha raja, ek thi rani, dono mar gaye, khatam kahani’—is, how do we deal with the fact of a woman being forced to jump into a pyre to save the ‘honour’ of her husband, and her people?
Of course, Padmaavat is spectacular: no one can do spectacle like Bhansali. This was what he was born to do. You can easily delight in it while the going is good. But nearly three hours of it, and looping rhetoric around what constitutes Rajput valour can and does become tiresome. And that compulsion to make ‘sati’ so good-looking, when the singeing of flesh can be so gruesome, is troubling.
If there’s one thing that keeps us from brooding too much through the film, it is Ranveer Singh. Not once does he try to make us like him, and that makes us like him even more. As a performer, his chief asset has been his unpredictability, in a good way. As Bhansali’s scarred, manically-over-the-top Khilji, he is electric. And try as anyone might, so is the attraction between the galloping outsider and the lovely queen: it is their doomed love story, whose embers rain on the screen, that we take away with us.
Directed by: Xiaogang Feng
Written by: Geling Yan
Starring by: Xuan Huang, Miao Miao, Caiyu Yang
Genres: Drama, Romance
The film chronicles the lives of a group of idealistic adolescents in a military art troupe in the People’s Liberation Army during the Cultural Revolution. They experience love, lust, betrayal, and sufferings in the background of Mao-era songs and dances. The two key characters, Feng Liu and Xiaoping He, also participate in the Sino-Vietnamese War in 1979 and become heroes for their act of courage. After the war, they are honorably discharged from the Army but struggle to make ends meet in the Reform-era China, while they eventually find their own love separately, grow up to fight against the situations like the Cultural Revolution, and even learnt lessons from soul-crashing experiences of love, lust, betrayal, and sufferings in the background of Mao-era. The film shows the real stories happened in reality by art, and the Cultural Revolution is a crazy era which is full of personal political attacks and entire world has been taking all efforts to avoid.
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Directed by: V.V.Vinayak
Starring by: Sai Dharam Tej, Lavanya Tripathi, Rahul Dev
Genres: Action, Romance
Teju (Sai Dharam Tej) works in a software company owned by Nanda Kishore. Nanda Kishore commits suicide all of a sudden. Vicky Bhai takes charge of Nanda Kishore’s company forcibly. Teju turns as Dharma Bhai to defeat the criminals. Rest of the movie is to be watched in the theaters only. Sai Dharam Tej has performed well. His dances and action sequences are impressive. Lavanya Tripathi justified her role well. Nasser has got a key role in the film and he impressed one and all. The lead antagonist is Rahul Dev and he was okay in the movie. Shayaji Shindey, Ashish Vidyarthi, Venu, Rahul Ramakrishna, Prudhvi etc. justified their roles well. All the actors played their parts well and impressed in their limited roles.
Intelligent Review: Sai Dharam does well in his role as a software engineer. The way he transforms himself in the second half and carries the film on his shoulders looks okay. He has danced well and acting wise, Tej is pretty sincere in whatever he does. Lavanya Tripathi is just about okay in her role and does not have much to do with the film.
Some comedy generated through Posani and Jayaprakash Reddy during the initial stages of the film evokes some laughs. The interval bang where Dharma Bhai is revealed looks good. The slight comedy about Dharma Bhai featuring Brahmanandam is decent to an extent.